An Laurence 安媛
An Laurence 安媛 is a Tiohtià:ke/Mooniyang/Montreal-based musician and composer active in the contemporary/experimental music scene, and performance/multimedia artist.
Her eclectic debut album "Almost Touching" (2022), distributed by people | places | records, has been described as displaying "a graceful vulnerability that transforms [the] compositions into a powerful suite of emotive manifestations" (Foxy Digitalis), "a demanding listen ... never less than engaging" (The Whole Note), where An Laurence "displays her willingness to dive headfirst along each pathway she chooses to explore" (Musicworks magazine).
Her work has been presented by the Quartier des spectacles, Accès Asie, Théâtre La Chapelle, Groupe Le Vivier, the Music Gallery, Phenomena, No Hay Banda, Oh! my ears, Lucky Penny Opera/re:Naissance opera, Chinatown Biennial, Montreal’s maison de la culture, Athens Digital Arts, Tranås at the Fringe, Codes d'accès, among others.
An Laurence 安媛 is a Tiohtià:ke/Mooniyang/Montreal-based musician and composer active in the contemporary/experimental music scene, and performance/multimedia artist.
Her eclectic debut album "Almost Touching" (2022), distributed by people | places | records, has been described as displaying "a graceful vulnerability that transforms [the] compositions into a powerful suite of emotive manifestations" (Foxy Digitalis), "a demanding listen ... never less than engaging" (The Whole Note), where An Laurence "displays her willingness to dive headfirst along each pathway she chooses to explore" (Musicworks magazine).
Her work has been presented by the Quartier des spectacles, Accès Asie, Théâtre La Chapelle, Groupe Le Vivier, the Music Gallery, Phenomena, No Hay Banda, Oh! my ears, Lucky Penny Opera/re:Naissance opera, Chinatown Biennial, Montreal’s maison de la culture, Athens Digital Arts, Tranås at the Fringe, Codes d'accès, among others.
